Franz von Suppé (1819-1895)
Arguably the most versatile and technically accomplished of
all operetta composers, Franz
von Suppé was born on 18 April 1819 in the harbour-town of Spalato (now Split,
Croatia; Yugoslavia until 1990) in the kingdom of Dalmatia, then an outpost of the vast Austro-Hungarian
Empire. The name on his birth-certificate read Francesco Ezechiele Ermenegildo Cavaliere
Suppé Demelli, and he was the son of a district commissioner of Italian and Belgian
ancestry and a Viennese mother of mixed Czech and Polish blood.
Actively discouraged by his father from becoming a musician, Suppé was instead sent to
study law at Padua, but in 1835 he moved to Vienna and embarked upon serious musical
study. His first theatre post, at the Theater in der Josefstadt (1840), resulted in his
highly praised first theatre score, Jung lustig, im Alter traurig (1841), and in
1845 he became a conductor at the Theater an der Wien, a position he held for seventeen
years. Further conducting appointments took him to the Kai-Theater (1862-65) and the
Carl-Theater (1865-82).
An awesomely prolific composer, Suppé's output numbered some 300-400 works for the
stage alone, including 'Volksstücke' (folk-plays), 'Possen' (farces), 'Märchen'
(fairy-tales) and ballets. His one-act Das Pensionat (The Finishing School, 1860),
written in response to the increasing grip of Offenbach's operettas in the Austrian
capital, is generally regarded as the first true Viennese operetta.
Although chiefly remembered today for his many fine and rousing overtures, with their
Rossini-like crescendi, Suppé created many noteworthy stage works, amongst the
most celebrated being Die schöne Galathée (1865), Zehn Mädchen und kein Mann
(1862), Fatinitza (1876), Boccaccio (1879) and Donna Juanita (1880).
In 1881 Franz von Suppé was awarded the Freedom of the City of Vienna, where he died
on 21 May 1895, his final years clouded by illness and personal tragedy and the failure of
his last few works.